THIS IS DEBASER

Tuesday, July 7, 2009

The Perfect Summer Mixtape


It always seems like summertime is at least partially defined by the music we listen to during our breif, sunny respite from regular workaday life. Summer mixtapes are expertly crafted and then tossed into dusty corners under our beds when September arrives. This year, I've been listening to some amazing music to soundtrack my summer, but I never made an ipod-ready mix.

Enter Coralcola.

He has made the perfect summer mixtape. Old classics like K.B.'s "Running Up That Hill" sit comfortably alongside recent jams (Burial & Four Tet's "Moth") and at least one obligatory inclusion (that irresistible Phaseone "Daily Routine" remix). It's an impeccable collection of artists on this thing, and I'm not just saying that because my band is on there, too. We're really the weakest of the bunch, with Ohneotrix Point Never, Grouper, Julianna Barwick, M83, BOC and more in the mix. It's seamless, and brilliant, and perfect for listening to while gardening.

You can download the whole thing as two big, chunky, tape-transer ready mp3 files HERE.

And you can download the Coralcola Pandas remix--featured on this mixtape--here. GOOD STUFF.

Monday, June 29, 2009


DEBASER's been practically dead for awhile now. I wish I could say it's 'cause I've been off in a cave like Johnny Cash or something, but really it's because Kyle and I have been sweating over our first full-length album. Read on:

Seven months of jamming, experimenting, recording, and fine-tuning have paid off: Ocean Sunbirds is now for sale via Brooklyn’s own Little Fury Things (CD-R) and Denton, TX label Animal Image Search (cassette).

Ocean Sunbirds is our first dip into the incandescent waters of album-hood, and as you might expect from a couple of hardcore music nerds, we put a lot into it. The EP was really just a collection of songs we had made—we were very stoked about how well it was received but definitely wanted to make a statement with whatever we did next. Our biggest concerns had to do with the same qualities we felt were present in all of the albums we thought were “good” or “great”. Regardless of whether or not we would actually achieve those same qualities, we were interesting in trying, anyway.

Great albums are consistent, from song-to-song, while still displaying range and providing unexpected surprises. They create a particular vibe, or conjure a specific set of images, and let your mind explore imagined spaces in a single listen.

We wanted to make an album like that—one which kept delivering an IV drip of uplifting tropical IDM, with some of the tribal elements from the EP dialed up, and with a wider amount of instruments and sounds present. Bands like Our Sleepless Forest were a huge influence, and we wanted to work with density; layering elements until the music reached transcendent capacity…In the first two tracks, we tried to push the limits of this sonic density, and hopefully set the stage for an album that tries to really “go there”.

We have to thank so many people for helping with this record, and playing on this record, or waiting so long for it. In particular, our guest vocalists really out-performed themselves. Alaskas took “Frozen Bayou” and “Startled by Sparkling Water” to the next level, and “Old Spooky and Moss Hut” would have been a weird disaster without the haunting vox and additional guitars from Big Spider’s Back. Blind Man’s Colour, in the middle of going blog-hype supernova, kindly sang on “Moon Bungalow”, expertly matching our vibe with syrupy melody.

We’re (obviously) pretty proud of this record, but what really matters to us at the end of the day is that we can share our music with friends and strangers alike, and that people seem to really be responding to it. In short, we’re stoked. We hope you will be too.

Click here to buy Ocean Sunbirds on disc.

Click here to buy Ocean Sunbirds on cassette.


Here’s what some other people are saying about the album:
“So, so tropical” – Alex Ruder, KEXP

“like being wrapped up in a huge blanket under really warm rain trickling off of palm trees”-Kyle from Blind Man’s Colour

“Upon first listening to this album, I had a vivid picture of all the nocturnal creatures arising from their hiding spots and livin' it up” –Aerophones and Aeroplanes

“Not that this scenery isn’t devoid of a haunted beauty, conspicuous beeping & tooting replaced by the screeching of exuberant birds, the brush of leaves dancing their sedate little dance, and a sun larger than you remember shining at an exotic angle through a tattered atmosphere” -20JazzFunkGreats

"A vast array of sounds cascade upward, building a wall of sound, drifting the audience off into a sun-soaked outer space... perfect for summer evenings" – Shock Mountain

“The album begins and ends in the middle of the urban rainforest and makes frequent stops at public pools and sno-cone stands along the way”-Animal Image Search

“Imagine you are sixteen, skinny dipping in a remote lagoon of clear water surrounded by cgi jungle animals with golden boom boxes...” –Little Fury Things

“Have liked much, take I all the morning with the disc, go to by ep” - Babelfish translation of someone on the Primavera Sound Message Board

Friday, May 1, 2009

Pope Draws Spock


Paul Pope did a six-page comic starring Spock, that vaguely sets up Leonard Nimoy's cameo in the new prequel/reboot, for the most recent issue of WIRED magazine. As you might expect, it's pretty fucking cool, especially the vintage hair on teen Spock and a really cool glimpse of The Wrath of Khan. Pope's Shatner is a little wonky, but I hope this gets printed elsewhere or made available online anyway.

Check it out here.

Thursday, April 9, 2009

2009 Eisner Award Nominees Announced


So the noms for the comic book equivelant of the Oscars have been announced, and it's good to see that Omega The Unknown got a nod for "Best Limited Series". Other notable nominees include a repeat nomination for the masterful All-Star Superman for "Best Continuing Series". Some love was also given to Frank Miller's Elektra work in a reprint category, and The Umbrella Academy artist Gabriel Ba was a double-nominee for "Best Penciller/Inker" and "Best Cover Artist". The one person not nominated in any category--and who had undoubtedly one of the best years of their (incomparably brilliant) career? Grant Morrison.

The complete list of nominees is here.

Monday, April 6, 2009

The Weather's Too Nice


It's been "shorts weather" in Seattle for the past three days and I couldn't be happier. The sunshine changes everything from the smell in the street air to a stranger's countenance.

Here are some songs that match our city's recent wonderful, golden vibe.

Sunshine Mix


Meanderthals - Kunst or Ars
Beacons - Fill Up the Holes
Tesla Boy - Spirit of the Night
The Diamond Center - Bombay Beach

Thursday, April 2, 2009

Invisible Horizons


I'm not sure why I've abstained from blogging about the phenomenal new Phoenix record until now. Laziness? Craziness? Needless to say, it's impeccable--far exceeding my expectations, which were only that it would at least achieve the same level of unabashedly poppy accessibility that It's Never Been Like That had in spades.

But Wolfgang Amadeus Phoenix is a different beast, kind of a mutant hybrid of all the different styles Phoenix have explored over the years, executed with effortless panache. The standout track--which, for some reason, I have not seen discussed anywhere on the blogosphere--is also the most radical and unexpected: "Love is Like a Sunset" (which I understand is to be dissected into two parts for the actual release).

But to experience the song as one whole is an amazing experience. At almost eight minutes, it's a near-epic sonic journey, with shades of space disco, a little New Order guitar, weird and unclassifiable distorted wails, and ultimately, California pop all delivered with off-kilter math rock timing as it slowly builds towards two triumphantly strummed guitar chords.

Phoenix - Love is Like a Sunset

Saturday, March 14, 2009

Exclusive: Live Futurecop! Mix


On Monday, Peter Carrol (one half of the amazing British electronic duo known as Futurecop!) performed at Freemont's Nectar Lounge, and I asked him to stop by the radio station for a quick chat and a live DJ set. Apart from being the nicest guy in the world, he really killed it on this live mix, which combines Futurecop! standards with some 80's jams and other surprises.

The mix in it's 23-minute entirety is posted below, ripped straight from the Rainy Dawg Radio stream. Dig it.

Futurecop! - Live Mix on Rainy Dawg Radio